Mamacita never seems to come outside from her house and people have said that it is because she is too fat to fit through the door or doesn't want to walk down the stairs No Speak English, pg. However, Esperanza comes to the conclusion that she doesn't want to come out side because she is afraid to since she can't speak English.
She also describes how this woman is trapped behind the window of her house and longs for her old pink home back in Mexico.
It seems as though this window holds her back from experiencing the world outside her new house. Another example of a woman being trapped behind a window is in the vignette where Esperanza talks about the woman who is locked up in her room by her husband because she is "too beautiful to look at". Unlike Mamacita who stays locked in the house by choice and fear, this woman is forced to stay inside.
While Esperanza is always in the process of moving, she explains her life on Mango Street to one of the unique experience for her. The book, The House on Mango Street, is a great example of a Hispanic young lady taking what she loves, sees and explains her feelings towards her house by using literary elements such as imagery and allegory.
In the book The House on Mango Street by Sandra Cisneros, most of the women are all unhappy and want to change their lives. This also shows that she loved her life much more before she had gotten married. Throughout The House on Mango Street, characters struggle to actualize their dreams of a meaningful life.
Author Sandra Cisneros illustrates this theme through her inclusion of windows as a symbol for a longing of another life. Windows act as a border to the life the characters long for but are incapable of achieving. Show More. Read More. The Madonnas Of Echo Park Analysis Words 4 Pages The novel The Madonnas of Echo Park by Brando Skyhorse, explains the concept of borderline through the life of Aurora and her half-sister Angie by showing how they felt divided into both sides of either looking for a better life outside of Echo Park or staying there as how their parents did.
In this context, windows become an expression of longing, and sort of a teaser of freedom for the women condemned to lives of domestic captivity.
Esperanza herself has a window-leaning experience in the story "Sire," by which we understand that she's feeling stuck and frustrated. Sally, in contrast, doesn't even get a window — she contemplates the cage formed by the walls, floor, and smooth ceiling of her new suburban house.
We get the picture — Sally is being held prisoner by a new husband who won't allow her any outlets to the world. Sally's reality is totally different from the house that Esperanza dreamed up for her — one with flowers, big windows that she can open to let the sky in, and a room all to herself, and without any nosy neighbors or domestic chores.
Esperanza's dream house is an expression of female independence. And she wants one for herself, too. Esperanza says that she wants a house of her own, "not a man's house" or "a daddy's" This last house image, which occurs near the end of the book, seems to trump all the other ones.
It's Esperanza's vision of perfect happiness. Archetypes are very exciting, because, theoretically speaking, they're supposed to be symbols that are universally recognizable. Archetypes are prototypes — stock roles or character types that carry a lot of associations. In literature, a lot of these archetypes come from mythology or folklore, but really they're being created all the time. So take "the hero," "the princess in need of rescuing," and "the John Cusack romantic love interest type" for example.
All archetypes. Anyway, back to Mango Street. The three sisters who examine Esperanza's hand and foretell her future call to mind the Fates — the three ancient sisters in Greek mythology who spin, measure, and cut short the thread of every human life. Character List Esperanza Sally Nenny.
Themes Motifs Symbols. Mini Essays Suggested Essay Topics. Literary Devices Motifs. Names Esperanza is one of the only characters in The House on Mango Street with just one name—most characters have two.
Falling Throughout The House on Mango Street , people fear falling and sometimes actually fall, which suggests the constant threat of failure or injury. Women by Windows Mango Street is full of women who are trapped by their husbands, fathers, children, or their own feelings of inadequacy.
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